Due to the weather, all evening activities for VHS are cancelled, including our rehearsal! Stay safe and warm tonight, and we will see everyone back at it tomorrow (3.22) for a FULL CAST rehearsal.
Have a great day!
Due to the weather, all evening activities for VHS are cancelled, including our rehearsal! Stay safe and warm tonight, and we will see everyone back at it tomorrow (3.22) for a FULL CAST rehearsal.
Have a great day!
The VHS Drama Club will be hosting a pancake breakfast with characters from the upcoming production of Beauty and the Beast on April 7, 2018 from 8am to 11am in the VHS Cafeteria. Various characters from the enchanted castle will be stopping in to take pictures, sign autographs and visit with your kiddos!
Breakfast is $5 for children 10 and under, $7 for everyone else! Tickets are available to purchase online here. Doors open at 8am and service will start shortly after! There will also be an opportunity to purchase discounted tickets to the musical while attending the breakfast! We hope to see you there!
Tickets for the upcoming VHS Drama Club production of Beauty and the Beast are now on sale!
The show will be presented on stage at Valley High School April 12 – 15, 2018. Curtain time is 7:30pm April 12 – 14, and 2:00pm April 15. Tickets are $12 for adults, $10 for students and seniors and $5 for children 5 and under and can be purchased online through our box office here or by calling 888.718.4253.
Group discounts are available! Please email firstname.lastname@example.org for more information. We hope to see you there!
The VHS Drama Club is one of the main drivers of extra-curricular arts-related activities for students on the New Kensington-Arnold School District. Since our relaunch in the late 1990’s, we have been able to give over 1,000 students and scores of Alle-Kiski Valley community members an experience that they will receive nowhere else.
Every year, mounting successful fall and spring productions costs in excess of $30,000. From costumes to make-up, props to sets, marketing and special effects, live theatre is one of the most magical experiences to become involved in, with something for everyone. However, bringing this experience to our students, friends and families has become more and more difficult.
We are appealing to you, the community of supporters who has been with us every step of the way. If you have attended one of our productions, helped to transform our stage or placed a costume on our backs and enjoyed your experience, please consider donating to our organization. Any amount from $1 to $1,000 will go a long way in ensuring that the magic of theatre continues to thrive in our schools.
All donations will be recognized during our production of Peter Pan this spring. You may also keep your donation anonymous, should you wish. Thank you for your continued support of our organization and arts in our schools.
As a former theatre kid, you probably got an awful lot of sh*t. It’s likely that you were reputed to be loud, over-dramatic and known to do “odd” things, like burst into song at any given moment.
However, as you and all theatre kids know, many of your valuable life lessons have derived from days spent in rehearsals or at performances.
You can credit a wide range of skills used in your daily adult life to what you learned as a teenager, when you were known as the “weird theatre kid.”
As a young adult, you can look back on your days in high school drama club with both nostalgia and gratitude.
Not only were those long evening rehearsals an absolute blast because you were with your friends, laughing at inside jokes and having sing-alongs to the “Wicked” original recording, but because being part of a production helped you grow immensely.
So, let’s take a moment to pause in our busy adult lives to remember what it felt like to be 16 and putting on our first pair of character shoes.
Here are 10 ways theatre class creates some pretty awesome adults:
Every theatre kid knows that one-two punch of waiting… and waiting… and waiting for the cast list, only to be met with sheer disappointment.
It feels like being pushed off a cliff; your heart races as you scan the names, wondering why you don’t see your own. You look twice, and even a third time and then, it finally settles in. You didn’t make it.
The first time this happened to you, it was devastating. You wondered what you did wrong; you felt worthless. You may have cried for an hour or more.
You kept auditioning though, and you kept trying. Truth be told, rejection sucked every time, but it somehow got easier. You learned that it wasn’t personal, that maybe you just weren’t the right fit.
You learned to ask your director questions instead of bottling up your feelings. You focused on what you could do better next time.
This way of thinking stuck with you as you grew up. Sometimes, it’s just not the right role, job or boyfriend, but it doesn’t mean you suck as a person. You’ve developed a thicker skin and you’re tougher than many of your peers.
Any time you landed a juicy role in a show, you had to work your butt off for it. You never rolled into an audition without adequate preparation; you made sure you knew your song or monologue cold.
Additionally, you know how much time goes into creating a successful production. It takes hours of rehearsals and dress rehearsals, countless weekend set builds, tech days to program the lighting, costume fittings, and the list goes on and on.
You didn’t get to collect your bouquet of flowers until you contributed the necessary blood, sweat and tears.
This philosophy doesn’t end with the theatre — it extends into all areas of your life. Accomplishments do not exist without great effort.
If there’s any person who understands the meaning behind the phrase “put yourself in her shoes,” it’s you. This is literally what you had to do every time you approach a new role.
Your acting exercises include instructions to connect moments in your own life to that of your character. You had to look for similar emotions within your own heart.
This wasn’t always easy, especially if you were playing a character unlike whom you actually are. Sometimes you felt disconnected from a role, and you had to look inward in order to grasp it.
This skill has been essential to you; it’s helped you understand the world around you. You can relate to others, and you’re able to interpret their behaviors, even if you don’t agree with them.
Before “YOLO” was a thing, there was the Broadway show “Rent,” which taught all former theatre kids this important lesson: “No day but today.”
To say you embraced this to the fullest is an understatement. You’re fun to be around because you adore spontaneity. You’re the type of person who will shout “road trip!” and you get excited about making adventure of everyday activities.
You have an appreciation for living in the moment because you know how much each moment counts. A moment can make or break your audition, and a moment can make an audience member laugh or cry.
You strive to make the most out of every second of every day, and you look for ways to create excitement.
In live theatre, things are bound to go wrong at some point. Maybe you had to step in and take the place of a fellow actress who was sick, or perhaps, you lost a prop mid-show and had to figure out how to deal.
If you worked backstage, your problem-solving skills might even be sharper. You had to prepare to help yourself and the actors if need be.
When something goes wrong during a performance, there is zero time for panic. All you can do is launch into damage-control mode and focus on the solution at hand.
You know how to keep your cool during a crisis, and you know that the goal is to solve the problem. The best thing you can do is work toward that goal, without melting down.
You’re probably cringing as you remember a time when your scene partner forgot all of his lines and you had to improvise your way through it.
You were sweating underneath your costume and trying to summon every ounce of possible psychic willpower to telepathically send him his lines. When you exited the stage, your friends surrounded you and praised your improvisational skills.
Or perhaps, your scene partner forgot an entrance, leaving you alone onstage with an entire audience staring at you.
Sometimes, things go wrong and there’s absolutely no time to plan a solution. When that happens, you have to have cat-like reflexes and be fast on your toes.
Luckily, you learned this (perhaps the hard way) during those terrifying theatrical moments and you now have the strengths to handle unexpected obstacles.
“The lips, the teeth, the tip-of-the-tongue!”
All of those drills you did as vocal warm-ups probably haven’t left your brain, even after a decade.
You know how to project your voice, how to use correct diction and enunciation, and how to craft the sound of your voice in order to be understood.
Thanks to all the speech exercises — not to mention that time you did Shakespeare —, you are quite skilled at speaking eloquently.
This comes in handy when you go on job interviews or when you have to give presentations at work. You’ll find yourself channeling those tools from class, and you’ll feel grateful when you’re respected by those you’re speaking to.
In theatre, you don’t get what you want without putting yourself out there first. In order to be cast in a show, you have to audition. In order to be on the production team, you have to interview. End of story.
Building confidence is key; you had to give yourself many pep talks before you ventured out to your first audition and to many auditions after that.
It takes a lot of effort and self-esteem to push apprehension aside and go for it anyway.
You know that life demands similar qualities out of you and that no reward comes without some element of risk.
You remember your first few auditions in high school and the feeling of getting onstage in front of your teachers (and sometimes peers). Your palms were probably sweaty, and maybe, your knees shook a little.
It’s possible this happened every time you auditioned; many professional performers confirm that stage fright never entirely disappears.
Despite the fact that you were scared, you learned how to control your nerves. You learned how to seize that nervous energy and trap the butterflies that ran rampant in your stomach.
That sense of control allowed you to channel that energy into whatever you wanted it to be, and you put it toward a successful performance.
As you navigate your 20s, you know that you’ll find yourself in many situations that create anxiety and nerves. However, you won’t run from those scenarios; instead, you’ll face them head on with deep breaths and confidence.
Perhaps most importantly, being in theatre gave you several dozen families over the years. Every show became its own chapter in this larger story of your theatrical endeavors.
With each cast, you bonded in a different way, some more closely than others.
You’ve been lucky to have shared the stage with some of these people and even luckier to have them in your life now.
You care a lot about your friends, and the bonds that you’ve created will forever remain unbroken, even after your final curtain call.
With the beginning of the 2014-2015 school year brings with it a world of uncertainty for many people within the New Kensington-Arnold school district. With the recent move by the district to reorganize the schools, we will see the 7th and 8th grades move from the former Valley Middle School to what is now being called Valley Jr./Sr. High School. While these students are still considered junior high school students, their presence within the larger school community can not be ignored.
With this change comes an enormous opportunity for our organization to open the world of performing arts to a much larger base – both from a student-participation stand point and from an audience stand point. But for now, let’s focus just on what inclusion in the Drama Club can mean for everyone.
Our group is all about inclusion – we have never turned away a student who wanted to participate in our theatre arts program, and do not intend to start that now. Our decision was based solely on having a unique opportunity to expose more people to theatre than we have had in the past. Since the reorganization of the VHS drama program in the late 1990’s, the drama club has given over 2,000 students the opportunity to experience the thrill of participating in a live performance, but as the years have gone on, the average number of students participating in the program has seen a steady decline. How would you feel if you were in a school that had a program such as ours, but were told that because you were ‘too young’ you could not participate. We don’t want any student to ever feel that they are not able to participate in something as wonderful, exciting and fulfilling as this. And this year, we have expanded our program to once again present two shows, giving anyone who wants to participate the opportunity.
Let’s take a brief look at what benefits participating in a school theatre program has on students (thank you to the American Alliance for Theatre and Education for this information):
In our community, it is our responsibility to provide every opportunity for let our students shine. Further, ‘since the implementation of the No Child Left Behind Act, there has been a national focus on closing the “achievement gap” between students of varying abilities, socioeconomic status, and geographies among other factors that may directly or indirectly affect a student’s academic success. The arts, including drama, address this issue by catering to different styles of learning, and engaging students who might not otherwise take significant interest in academics. Additionally, research indicates that drama courses and performance have a particularly positive effect on at-risk youth and students with learning disabilities.
And if that isn’t enough, let’s take a look at the public opinion of arts, specifically drama, in our students’ education:
Statistics show that most of the public feels the performing arts play a significant role in our culture and communities and are important to America’s youth. In 2002, the Performing Arts Research Coalition (PARC) conducted surveys in 10 major metropolitan areas regarding the role of Performing Arts in their lives and communities . They discovered that at least 90 percent of respondents from each metropolitan area agreed or strongly agreed that the performing arts contribute to the education and development of children. More than 60 percent of respondents in each location who had children aged 13 and older strongly agreed that the performing arts contribute to the education and development of children.On average, just over half of respondents had attended a live theatre performance in the past year. According the to surveys in all 10 cities, live theatre is the most commonly attended type of performance.
According to a May 2005 Harris Poll :
So there you have it. We want to continue to give our students every opportunity to shine, both on the stage and off, and we are thrilled to welcome this new group to our family, and we hope that all of our students from previous years who are still at VHS will continue to support and participate in our club.
We hope you agree – please come out and talk with us and see what is coming up for VHS drama this year when we have a meeting for all students and parents interested in joining our organization at 7:00 on September 15th in the VHS auditorium. As always, your comments are welcome.
This year, we are happy to announce that we will once again be presenting fall and spring productions at VHS! Our first show will be a murder mystery dinner theatre, ‘You Have The Right To Remain Dead’ to be presented on October 18, 2014 at the VHS Cafeteria. In April, the VHS Drama Club is happy to announce that we will be presenting ‘Hairspray’, April 16-19, 2015! Tickets for each show will go on sale one month prior to opening night.
You Have The Right To Remain Dead
October 18, 2014
You’ve just settled down in a theatre to solve an audience-participation murder mystery. The narrator comes out and gives you a few “ins and outs” on what to look for in the play. The show starts and you meet Fat Daddy, a rich but vindictive southern gentleman with an equally conniving and scheming family. So you know who’s going to die, right? But who will the murderer be? Will it be Sweet Mama, Daddy’s pandering wife; Hyacinth, the daughter who’s always cleaning the family firearms; Earl the worm, or his overly amorous wife, Savannah; or Clete, the sullen handyman who, for some reason, is in the will? Then Fat Daddy is discovered, dead as a hammer. Except the corpse isn’t Daddy’s, it’s the narrator’s! The director comes on stage and the police arrive. Now you have to figure out which of the actors murdered the narrator. And not only are you questioning the cast, but they are questioning you! Yes, you are a suspect as well!
April 16-19, 2015
You can’t stop the beat in this big and bold musical about one girl’s inspiring dream to dance.
The 1950’s are out and change is in the air! HAIRSPRAY, winner of 8 Tony Awards including Best Musical, is a family-friendly musical piled bouffant high with laughter, romance, and deliriously tuneful songs.
Our wonderfully talented costume department has (literally) hand-crafted over 1,000 costumes for various shows over the years, and each of those costumes has been stored and is available for your organization to rent!
Keep in mind that costumes from one show may also work for another, they don’t necessarily have to be specific to the show listed!
For more information about costume rentals from the VHS Drama Club, please visit our rental page here and fill out the contact form. Once your form is submitted, someone from our organization will be in touch with you!
DRAMA IN EDUCATION: DID YOU KNOW …
DRAMA IMPROVES ACADEMIC PERFORMANCE
Numerous studies have demonstrated a correlation between drama involvement and academic achievement. In addition to having higher standardized test scores than their peers who do not experience the arts, student who participate in drama often experience improved reading comprehension, maintain better attendance records, and stay generally more engaged in school than their non-arts counterparts. Schools with arts-integrated programs, even in low-income areas, report high academic achievement.
DRAMA STUDENTS OUTPERFORM NON-ARTS PEERS ON SAT TESTS
The College Entrance Examination Board reported student scores from 2001, 2002, 2004, and 2005 using data from the Student Description Questionnaire indicating student involvement in various activities, including the arts. As compared to their peers with no arts coursework or involvement:
Research indicates that involvement in the arts increases student engagement and encourages consistent attendance, and that drop-out rates correlate with student levels of involvement in the arts.
From learning to read to the in-depth study of Shakespearean literature, drama can play a significant role in the continual development of students’ reading comprehension skills. Studies indicate that not only do the performance of a story and a number of other drama activities in the classroom contribute to a student’s understanding of the work performed, but these experiences also help them to develop a better understanding of other works and of language and expression in general. The results below were gleaned from studies where educators and students alike noticed a difference when drama played a part in their classrooms,
BUILDING SELF-ESTEEM THROUGH DRAMA
In addition to building social and communication skills overall, involvement in drama courses and performance has been shown to improve students’ self-esteem as well as their confidence in their academic abilities.
BRIDGING THE ACHIEVEMENT GAP
Since the implementation of the No Child Left Behind Act, there has been a national focus on closing the “achievement gap” between students of varying abilities, socioeconomic status, and geographies among other factors that may directly or indirectly affect a student’s academic success. The arts, including drama, address this issue by catering to different styles of learning, and engaging students who might not otherwise take significant interest in academics. Additionally, research indicates that drama courses and performance have a particularly positive effect on at-risk youth and students with learning disabilities.
PUBLIC OPINION ON THE IMPORTANCE OF DRAMA
What does the average American think of drama? The statistics from the studies below show that most of the public feels the performing arts play a significant role in our culture and communities and are important to America’s youth.
In 2002, the Performing Arts Research Coalition (PARC) conducted surveys in 10 major metropolitan areas regarding the role of Performing Arts in their lives and communities . They discovered that at least 90 percent of respondents from each metropolitan area agreed or strongly agreed that the performing arts contribute to the education and development of children.More than 60 percent of respondents in each location who had children aged 13 and older strongly agreed that the performing arts contribute to the education and development of children.On average, just over half of respondents had attended a live theatre performance in the past year. According the to surveys in all 10 cities, live theatre is the most commonly attended type of performance. According to a May 2005 Harris Poll :